A talk with... Miriam Vile Sunday, July 12, 2015


A few months ago I spent an afternoon at Miriam's place, the place where the jewel maker gives birth to her tiny creations. Miriam is a young and cheerful woman who's making her own business thanks to her passion for used objects. She lives in a small but inspiration filled home - I immediately fell in love with that place! - that really represents her.
After spending some time with Miriam, I realized how spontaneous and "human" her creations are, following the process behind the final jewel or collection. She takes time to get in contact with the piece she may had found in a market of used object or received as a gift by someone, and when the magic happens the process begin! In fact, she takes care of any single piece intended to become part of a new and unique jewel.

We talked about her work and she opens up to moodLKI about her story and her passions.

Reading through your biography on your website, I read “[…] They all (the used objects) have a past and a story to tell.”: what's your story?
In the past I had a job which took on 100% of my time, and without knowing and believing so much in my artistic and creative abilities I didn't dare too much. I also passed through a bad period, in which it looks like "everything is happening to me" (in a negative way), loosing my job. I interpret that phase in which I was involved as a sign, so I decided to deal with it by investing in myself completely, doing what I always wanted to do!

The years of the beginning of your two projects - your jewels production and your musical project with Camilla Sparksss - seems to coincide: what's the relation between these two activities?
I think I started making my jewels before... Anyway, after the period mentioned before, I started to perform for Camilla Sparksss. I knew Aris and Barbara and we already had collaborated before: when I worked, I used my holidays and breaks from work to go on tour with their other musical project - Peter Kernel - taking up with the merchandising.
I have to thank the "Camilla Sparksss" project and everything/everyone involve in it, because it gave me the strength, some courage and, moreover, they believed in me. While supporting me they gave me the opportunity to discover a side of me unknown to myself, helping me to feed and listen to this side.

Going back to the beginning of your activity, do you remember the feeling of having in your hands the first jewel you've made?
The very first jewel I made was a necklace made with a mechanical piece of a mandolin. I was at a market of used objects, and while searching some pieces thoroughly in a old box full of odds and ends, within screws and bolts, I saw it... and I remember that was love at first sight! ...Even if I didn't know what I would have done with it I took it with me, it was too beautiful to leave it there, in that old box. After that it took a lot of time to "mature" at home, one day on the table, another day in the kitchen, close to the plants, and so on... as if it was a decorative object out of place, and I felt that its beauty couldn't find its place. And one day the magic happened: while I was passing through the room I passed in front of a mirror and looking at this reflected image I immediately saw a jewel in it... It started like this, unexpectedly. So I developed this idea - without knowing the exact steps and how to manage this - and I started working on it.

What helps you while you're working on a new jewel?
When I work I need to have some music on, possibly so laud in order to be able to hear it while I silt, cut, hammer, and so on...  Yes, I think I'm a noisy neighbor, but without any sound I wouldn't create in the same way as I do.

Do you have an icon, or a special character, which inspires you?
Honestly, I don't have any icon or a specific point of reference. To feel realized the jewel has to please me first. In life I have several characters that I admire, but they are very different from each other and I don't think they would be a point of reference for my creations. Sometimes I create a necklace and then I say: "This would be great for that person", but he/she's not necessary an icon.


What's the starting point of any collection?
Each collection comes from chaos... from a lot of different objects that, for one reason or another, I wanted to collect. I spread them on the table and for a couple of days or weeks the chaos reigns. 
During the year I collect some ideas in a little book, which is the input during the creation phase. The creation process of each new collection is so long: I'm never satisfied at the beginning, so I make some drafts, I take some pictures, try some different combinations and so on... Then, I look back at what I've done. It goes on like this until the right day arrives and, like magic, something that I like appears and so I start to focus on that idea.

What characterizes and distinguishes each collection, from the first to the latest?
All the necklaces of the 2014 collection differ from the previous ones (2012 and 2013) because they're more elegant. The mechanics used in that collection are only keys of banjo and ukulele, and they generally look tiny and full of small details than previously, close to a luxuriant and baroque look. Another great news about 2014's collection has been the cufflinks for shirts, for men, obtained by guitar's knobs for regulating the volume of the sound.
The next collection - 2015 - is based on chains and guitar's, bass's and mandolin's keys. This time, the new items added to the collection are the earrings and the rings, made as well as the cufflinks out of knobs. This collection is characterized by its simplicity, having sober and essential lines, for a more discreet look, creating a jewel that can be worn on a casual and basic t-shirt.
Right now I've just finished some new entries, a kind of extra items added to the collection: I made some pins, and in the meanwhile I'm collaborating with a girl who's also creating her own jewels using stones and more natural and raw materials... We're experimenting something new, summing up our concepts, ideas, knowledges and materials.

Any hope or desire for your future?
My biggest dream is to be able to do these activities for a living... I hope I'll make it!


Now, the 2016 collection is on its way, as well as new collaborations, and I'm more than curious to see what Miriam is doing and elaborating!


You can meet Miriam at the following markets:
12.7.2015 at Gitana Market in Milan (IT)
17-19.7.2015 at Buskers Festival in Lugano (CH)
and more date to come... so stay tuned!


miriamvile.com


Photos & text: Laura K. Inserra